You can build a wall to stop people, but eventually, the music, it'll cross that wall. That's the beautiful thing about music - there's no defense against it. I mean look at Joshua and Jericho - made mincemeat of that joint. A few trumpets, you know? -Keith Richards
We've covered vocals, guitars, drums, keyboards and even a bit of bass - but so far, not a sniff of the ol' bugle tooters. I think it's Keef who holds the theory that over-amped electric, rhythm guitars were the beginning of the end for horn sections (in the same way synth's replicated, but never replaced strings) And in fact the 'Satisfaction' riff was originally heard - in his head anyway - as a riff written for horns..
Now as fine and funky as this selection of stompers is, they clearly wouldn't have the same weight or wallop without the brass giving it plenty o' honk
Barry Stoller - Funky Spider
Funky drums, even funkier hooting and a' tooting
Blood Sweat and Tears - Go Down Gambling
I think Boys Wonder may have re-riffed this guitar part for What Makes You So Good - which, I'm hoping Piley will get round to ripping and posting some day soonish
Fatback Band - Fatbacking
Please to lend an ear to the giddy fiddle fingering bass work, and the Zarathusa/2001 horns (a motif that was close to overuse during the seventies)
Otis Redding - Satisfaction
(with brass instead of guitars, and Duck Dunn's piledriving bass runs)
The riff was in essence not meant for the guitar. Otis Redding got it right when he later recorded it because it's actually a horn riff. I never thought that was song was commercial anyway. Shows how wrong you can be.
Keith Richards
