Matt from Worksopp wrote in last week - asking do I have 'Joe Loss's version of 'Shot In The Dark'? Yes Matt, I do. It's on the Mondo iBlock, and now on the blog..
'A Shot In The Dark' is Henry Mancini's theme from the second Pink Panther film, although it's perhaps better known as a musical motif used during the Inspector sequences of the Pink Panther cartoon show. Joe Loss's take is a big-band, twang-o-ramic swinger starring a guitar-a-go-go freak out from legendary sixties session man Big Jim Sullivan(Tom Jones's guitarist and aka Lord Sitar)
And as a bonus here's Hugo Montenegro's version of Our Man Flint, a versh that almost made the recent the 'Spy' post, but was pipped by Herbie Mann's flutey tootings..
Every Friday is Funky Friday on Planet Mondo - this Friday it's the turn of guest blogger and the bloke that got me blogging Marmite Boy who brings you two thumping vintage vid's and downloads...... over to MB
Thanks first of all to Mr Mondo for allowing me to choose something for Funky Friday. When he first asked me to do something for the blog I was not altogether sure what to write about as I'm not very knowledgeble about Da Funk (although I am a long term Northern Soul fan). Then all of a sudden it hit me, way back when there were some funky tunes that got my foot a tapping along with the best of them.
In Washington DC they had there very own sub-genre of funk called Go-Go that started in the mid to late 70's and was primarily a live band based genre. Using a funky horn section, almost rock like guitar solo's, complex percussion using all manner of conga drums, cowbells, timbale and conventional drum kits and a seriously funky based line they stormed the DC night clubs. The vocals are more of a call and response affair that allowed the crowd to feel part of the music. The songs all melded into one so that the dancing kept on going (Go-Go gigs sometimes go on for hours and hours).
Go-Go was almost single handedly developed by DC soulman Chuck Brown. He had been a stalwart of the Washington soul scene and incorporated a rhythm heavy sound with the call and response vocals and never ending songs. The beat he used was inspired by Grover Washington Jr's Mister Magic. Brown had a No 1 hit on the US R&B chart (before in was filled with dreadful Kanye West records) in 1978. Bustin Loose is an absoulute Go-Go classic and is as funky as a funky thing. It even reached No 34 on the pop chart. However it wasn't until the 1980's that Go-Go had it's Golden Age.
Brown continued to dominate Go-Go with his band The Soul Searchers but other great funk outfits like Redds And The Boys, Hot, Cold, Sweat and the absolutely fantastic Trouble Funk enjoyed a lot of success too. Trouble Funk had been around in one form or another since the 60's so were well versed in creating music that people wanted to dance to. They had several sizeable hits including Hey Fellas, Don't Touch That Stereo,Drop The Bomb and Pump Me Up a song that was widely sampled with M/A/R/R/S, The Beastie Boys and LL Cool J all using the rhythms as a basis for tracks.
Go-Go made an all too brief appearence on the British scene with the NME championing it the most. In fact they released a very good double album complilation of all the best Washington bands. So for your viewing pleasure is the mighty Trouble Funk with a fantastic 9 minute version of
Don't Touch That Stereo
And the Daddy of Go-Go Mr Chuck Brown with Bustin' Loose
For your further listening pleasure is the classic
