Mick with a stealthy 6 points who wins a trip back in time here..
Simon also deserves a shout for his healthy 4 score as well.
Perhaps it was a bit of a toughy in places - due to some 'local knowledge' tracks that were club hits at Crocs and few other South East/London venues. Hats not off, but tilted at a rakish eighties (over one eye)angle to everyone else who had a pop at this piece of pop puffery.
So, the final chart rundown then ..
All clips were from Standard 12" versions execept where in italics
80s 12" Teaser
Click on any of the answers for a full length youtube refresher...
And as an extra - probably my fave tune from this selection. I'm not really a fan of SM, but this track is more Moroder/Cerrone than their usual proto U2 antheming.
The sort of Hi Tech Hi-Fi and graphic a go go system used to pump up the volume for most of my 80s 12" s.
Following on from last weeks Purple Nasties post, I've clipped and compiled twelve snippets from retro electro eighties tracks - 12" versions have been used where available - so, just how many can you pick out?
Shortly after their 1980s chart ram-raid and debut album, the Beastie Boys dropped off my musical radar (me being into long hair, leather jackets and all things R.O.C.K at the time). Until - via the digitally doomed channel UK Play's heavy rotation but limited library of approx' twelve music vids (Kylie, Beastie Boys and Fatboy Slim etc...), I eventually picked up on the Beasties brilliant promos for 'Body Movin''(Fatboy remix), 'Three MC's and One DJ' and ''Intergalatic''.
The Beastie Boys are one of a handful of bands almost fully formed for their own Hanna-Barbera style musical cartoon series ( see also - The Damned, the Spice Girls and Motorhead) with their fizzingly inventive vids, triple wallop wordplay and stealthy scrapbooking of obscure samples (dropping The Sweet's "She thinks she's the passionate one" into 'Hey Ladies' being a double rap whammy). And if that grab bag of goodies wasn't enough the Beastie Boys sneakily leak acappela tracks into the public domain almost endorsing the idea of mashups and bootleg remixes - you'll find three of my personal faves below.
Alan Hawkshaw's 'Beat Me'til I'm Blue' bolted on to 'Alive'..
The first in an occasional series documenting tunes, tracks and clips that swish, swing and have a rythm section that thumps, bumps and bounces like those pesky picnic grabbing ants from Tom and Jerry.
How snappy would it be to walk up to some dusty ol' pub piano, crack your knuckles and hammer out the honky tonk like this....
Amos Milburn - Down The Road Apiece
'Down The Road Apiece' was reworked some years later by the Stones, who really don't make a bad shout of it - hear here.
When I first started shaking a leg (or 'flapping' if it was The Cramps) at clubs back in the early eighties, Crocs in Rayleigh was the place to go if you were in the sunny Southend area. Marmite, Piley and I were regulars at Crocs alongside Depeche Mode (who played their debut show there), Boy George, Steve Strange and various other celebrity Blitz Kids, Punks and Pysco Billies that hoofed it down from London for the cheap drink (50p a pint before 10) and top tunes spun by resident DJ 'Fatman'.
This Mixwit comp is a rough sampler of the sound of the crowd from Crocs around the 1982/84 period until it eventually became refitted in chrome, mirrors and plastic palm trees and rebranded as the 'Pink Toothbrush'. One tune that was a guaranteed banker and fitted formats of all local clubs at the time...
The Monkey House - sounds for alt.student crowd Chesters - Electro night on Wednesdays Zero Six - Jazz Funk for Casuals and Soul Boys T.O.T.S - Eighties Disco
was the Bobby O produced Ronni Griffith track 'The Best Part Of Breaking Up'. Unfortunatley but understandably Mixwit's database didn't stretch to this eighties obscurity, so I've loaded it up below...
I will be loading up a hard copy of this mix at some point - but on a similar theme the good people at Punk Globe magazine invited me to submit a 'Top Ten' of anything for the April issue - which is now on their website and includes my top tunes and random items that I've been buzzing on recently - s'here if you fancy a peep Punk Globe Top Tens. (They've also loaded up my Brian James interview too - in case you missed it first time round)
Yes a blog swap! I'm over at Mr Double Down's thumpingly funky Hook And Sling site with a brand new bespoke mix 'Dial M For Mondo' (Which you can taste test below with this two minute teaser trailer...)
While MR DD pushes the buttons and plays a royal flush of funky aces right here ... Mr Double Down Presents Funky Friday (The Hook And Sling Meets Planet Mondo)
Hello, my name is Mr Double Down and I am one part of The Hook And Sling, a monthly 100% funk and soul night in London’s West End with The Popcorn King and Hoppin’ John . We also run the same titled Podcast / Blog over on Podbean.com. I’m really honoured to be invited over here by Dave to contribute to the ongoing ‘Funky Friday’ section of his fantastic Blog..
The old saying “All good things come in threes” couldn’t ring truer here today as I have the pleasure of sharing three of my favourite 45’s with you, they have all really been doing the business at our night lately! Its ’Funky Friday’!, so loosen that collar because the week-end’s just beginning!
First up is an artist most of you will (should!!) be familiar with. Curtis Mayfield, legendary singer, writer and producer from the 70’s. This cut, ‘Mother’s Son’ is perhaps a little less well known, but popularity should never affect quality, and it certainly doesn’t here! Taken from his own Curtom label, this is a 45 that Hoppin’ John has been hammering since our nights humble beginnings on the south coast of England – and justifiably so. What a record!! Definitely one for the bass heads out there!
The B.B.K. Expedition – For The Love Of Money (Dynamite Soul)
Download The B.B.K. Expedition – For The Love Of Money here
Dynamite Soul is a relatively new record label in the grand scheme of things. Lately they’ve been resurrecting all sorts of forgotten funk, soul and reggae gems from the 60’s and 70’s and issuing them on 45 again. The B.B.K. Expedition’s cover of ‘For The Love Of Money’, a track originally by The O’Jays, was taken from an unreleased album called ‘Upships Creek’. The B.B.K’s version here is certainly the rougher and rawer of the two, and if the horn break at the end of the cut doesn’t do it for you , then give up now! This version also always manages to turn heads at our night! As a small Brucie bonus, here’s a great live version of the original by the O’Jays from 1974!
Tony Bowens And The Soul Choppers – Boilin’ Water (Tony Bowens)
Download Tony Bowens And The Soul Choppers – 'Boilin’ Water' here
I first heard this several years ago at Keb Darge’s ‘Legendary Deep Funk’ night in Soho. It’s an absolute funk monster and on the account that its as rare as hens teeth, it doesn’t come up for sale too often for anything less than 3 figures (I told you all good things came in 3’s). I caught my copy a few years back after a manic bidding frenzy on the Bay, and it was worth every single penny! For those that don’t dabble in the practise of shelling out ‘silly money’ on vinyl, it was recently comped by Will Quantic for Jazzman Records and was also put out on a French re-issue 45 under the name of The Soul Choppers. I don’t know all that much about the 45, other than that Tony Bowen’s hailed from New York and put the record out independently, probably due to monetary constraints. I think in this case the music says all that needs to be said!
I’d like to thank Dave once more for allowing me to contribute over here. You can find him holding the reigns over at The Hook And Sling where he is currently dropping his ‘Dial M for Mondo’ Mix as part of our continuing Guest Mix Series. I hope you enjoyed my selections today and for those of you who are in the London area, you can catch us at The Hook And Sling every second Saturday of the month at The Brown Sugar Bar in High Holborn. All the dates and details can be found HERE
Forget low calorie, size zero personality, wibbly wobbly warblers, shreaking squealers and puffed up preeners who put all the goods on the barrow with nothing left in the loft. Cold hearted Harpies, hard faced halfwits and know-nothings exploding in giddy ninny tizzes over some silly business.
No. No. No. Peggy Lee and Mae West are where its at dad, those slinky superstar supervixens as full, fruity and saucy as knickerbocker glories and peach melbas. Swishing from the hip, shooting for the heart and getting pulses pumping like Thumper with the raise of an eyebrow, the flick of a fringe or the drop of hankie, who have giants and gentlemen reaching for their lighters while blowing smoke rings round all wannabe waifs and WAGS.
Some hi tech clever clogs has made a vid' for the Mae West track - well worth a peep
And, speaking of wonder women have you checked out the mighty Rock Mothers podcasts 'Romo For Real'? Armed with a box of tunes and a bottle plonk, it's fourty minutes of wall to wall wonder tunes and chirpy chat - get on over and fill your Biba boots here.
PS - One track from this posting will be appearing in a new mix going live this Friday "will you woo this wildcat?” - Taming Of The Shrew
Can you believe it's over 20 years since Acid Jazz first dropped into circulation with its juicy loose grooves and scrapbook look of Carnaby Street chic, Caine flick cool and bohemian beards? Aside from AJ's Anglomania retro referencing (beating Britpop to similar source material by several years) musically Acid Jazz seems to be a composite of these three elements ..
Early Santana - Latin shuffles with squealy and/or wah guitar
Jaco Pastorious - all Acid Jazz bass cadets had red hot handskills.
Robin's Nest theme tune - a riff that Jamiroquai's been riding and rewriting for his entire career.(Out of all the Acid Jazzers - why is HE the only one that's endured? )
So what acid drops are we taste testing today?
Corduroy- (formerly known as those moonage mods - Boys Wonder more on that here) laying down some skinny trousered split screen funk - there really is some great editing on the 'E Type' vid. I've spotted 'Blow Up' and 'Hawaii Five O' - but I'm sure there's more
Corduroy - E Type
Mother Earth - headed up by Matt Deighton (Santana influence) and their 'can't believe it wasn't a monster hit' piece of perfect pop- 'Jesse'. Mother Earth's album 'People Tree' features Weller as a backing vocalist on 'Mr Freedom' which acted as the perfect framing device for Weller's first (acid style) solo album and Modfather revival. Deigton later stood in for Noel Gallagher at the occasional Oasis gig.
The New Jersy Kings - (Robin's Nest and Jaco influence) The James Taylor Quartet had been riffing on spy high soul for sometime, before bizarrely going into hiding as space age funkateers The New Jersey Kings when Acid Jazz kicked in. New Jersy Kings - Dreamwaves
If you're in the mood for more contempory Acid Jazz style sounds check out The Bongolian , who keeps his synthy sizzlers spiked with an acid flavouring..
Mick with a stealthy 6 points who wins a trip back in time here..
